I can’t remember if it was early in the last year or before that, but I first saw Karlee Porter’s graffiti quilting on Pinterest and was, quite simply, blown away.

So when she finally came out with a book, Graffiti Quilting: A Simple Guide to Complex Designs of course I put it on my wishlist and eventually bought it.  Shipping stuff to Canada is expensive, ugh.

Anyway, by the time I got my hands on the book itself, I’d practised on paper.

And I practised on fabric too. But after reading the book I sat down with my large box of coloured threads and went to town, copying one of her pieces (which she highly encourages, for practise).

In a way it’s hard, like any FMQ, because you’re not sure what to do next, or where to go. You have to really stop and think. So in one sense, you can’t really mark it on the fabric first, if you like doing that. You’d have to do some rough sketches first. Also, if you use thicker thread, you have to manage the thread build up, maybe incorporate it to look like thicker lines in the design itself.

But in the other sense? Oh boy, what creative freedom. It’s almost scary.

I have a quilt all basted and ready to go and has been sitting waiting for a least a month. I plan to do something similar to graffiti quilting but not as visible, just all white thread on a quilt with a white background.

And yet I still hesitate.

Looking over last year’s posts, I did see how I had issues working on one quilt and the gap of creative constipation in there is noticeable when I scroll through my photos.

I mean – what’s the worst that can happen? I hate it? If it doesn’t turn out as good as I see in my head, why does that matter? It’s not like anyone else can see what I see in my head, even if I sketch it out before hand. Right? And it’s going to be white on white for the most part… sheesh.

I need to take my own advice and just stitch it already.