Quilting a vintage embroidered quilt top

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Many moons ago, I purchased a colorful piece of fabric that had all this embroidery on it for a whopping $2. It was one of many common pre-printed pieces available way back when, and sometimes you can even find these today.

I bought it partly to practise quilting on and partly because it reminded me of my Great Aunt Nene, who, despite her love of pants, cigarettes, swearing, and her masculine voice embroidered up a storm. Even after I was married, I still have pillowcases embroidered by her with colorful cartoon characters traced right out of my own coloring books when she ran out of patterns.

Besides – it was 2 whole dollars.

Anyway, I finally felt the time was right for my actual skill level to match the ideas in my head and inspiration finally hit.

After prewashing and trying to get out the two major stains (didn’t work) I used a blue washable marker to trace the major feather spines. I already knew I would outline the embroidery itself and fill in any areas with McTavishing. I used some white chalk to mark about an inch from the cut edges to help me contain the feathers and not get too close to the edges and covered up by binding.

Once I got the top loaded and the first bit of feathers done, I had to decide what to put in the space between the edge of the feathers and the edge of the quilt, knowing some would get covered by binding or trimmed off. In the end I went with micro stippling. I’m still having issues getting it small enough, but it worked well enough for this.

The reason for both the micro stippling and the McTavishing is both designs are dense and flatten the quilt. This means next to big feathers, it will help those pop out more. Had I chosen less dense designs, the feathers wouldn’t look near so nice.

Also note that since on a longarm, I work from the top down, I had to be careful to stop the feather spray at points where I could break the thread and start again later, after rolling the quilt forward.

Once I got down so far, I realized there was another large space between the two embroidered motifs that needed something more than the dense background fill. A quick consult with a couple books, and I decided a heart feather wreath would work. No tracing here – I just sketched it out as evenly as I could, lining it up with the middle of the feather spray above it.

Then I continued on around with the background fill, moving back and forth across the quilt, going downwards and around elements as I came to them.

I knew I had planned another feather spray starting at the bottom, so I left plenty of room for work that would be done later. I made sure to still baste the sides of the top as I went.

Eventually I got down far enough to baste the bottom of the quilt, so I could do the feather spray at the bottom and work my way back up to the middle. I have a large throat space, but I still had to roll the top back to go back up far enough.

If I had to do it again, I would plan where the two sprays met again. I’d left too much space and winged it, adding a quick spray on each end to fill the space. I definitely wanted separation from the interior McTavishing and the outside micro stippling, so the best way to cordon those off was more feathers. (and who doesn’t love more feathers, right?)

And a final mention of the perfect backing fabric I found at Connecting Threads. I knew I wanted something with little bluebirds and a 30’s feel. Then they sent an email that all their wide backs were on sale so that was a sign! (I went to add a link here but the fabric is no longer on their site. Sad face. 🙁 )

I still need to bind the quilt, but I’ve decided on a bright pink, matching the embroidered flowers and the birds on the back is a perfect 1930’s finish. I’m also adding a hanging sleeve and will put it in my local quilt guild’s show this fall.

How to quilt the Glimmer quilt

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I finally got around to quilting the Glimmer quilt I made sometime last year. This one was pieced with Carolyn Friedlander fabrics and I kept the colors subdued to greys and white with just a POP of the lime green.

I had done pillow sized and table topper sized versions of Glimmer but this was the first large version I had done. I wanted to make sure I really went wild with custom quilting on this.

Originally I had planned to do this on my domestic machine with lots of free motion quilting, but I loaded it up on the longarm once I had figured out the best way to start quilting.

Here’s an overview of the quilting I did:

In the background I just did allover swirls. The print is pretty busy for being black and white, so anything fancier would not show. It does create a great uniform overall texture in the background.

Then in each print I did a different free motion design.

Figure eights or L’s in the outermost rings, then ribbon candy. The next section is the green so I did a nice half leaf feathering thing. You could also call it serpentine, but it’s similar to doing feathers, except pointy. Some people refer to this as fern feathers.

The next section formed a V shape so I decided to treat both as a unit and did a swirled hook design that turned a corner. I picked this because it fit and because I’m not so good at it and needed the practise.

The inside ring I did close back and forth lines, also known as switchbacks. It’s a great dense fill and helps flatten the area, because in the inner ring I did feathers! Of course I did. I treated the edge of the block as the spine of the feather and bumped my way out from the center. Just travel back down the seam or around the block to get to the next one.

On the longarm I started at the top with the background fill and as I went back and forth I did each section as needed, even if it was a different motif. I did the whole thing in white 60w thread. This is so thin it sinks into almost any color.

For total quilting time, I did this over 3 days and my rough calculations were about 4 or 5 hours. One of those days I did hardly anything on it.

If you were going to do this same quilting on a domestic, I would do the stitch in the ditch around the main motif following the major seams first. Then I would start in the middle and do all the feathers. I would then do the next rung with the switchbacks. After that, I would likely do the next bits in quarters, travelling as needed to finish off the SID around the pieces and to get to the next sections. When the whole center motif was done, then I would start the background fill around the edges of the center and work my way out to the edges, also in quadrants.

If you have any questions, let me know!

We bought a longarm!

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Oh I have the best news – it took a while but it finally happened. We got word on a longarm, second hand and IN CANADA at a great price, in Canadian dollars.

Just to roll back a little, somewhere this winter my husband came into the sewing room and was watching mush and smush a queen sized quilt through my regular sewing machine. “That looks painful,” he said. “It is.” I said.

And he’d seen the basting process and how long it took.

It turns out, a longarm studio opened up in a community 2-3 hours away from me so I went up for a class. Worst case, I figured I would spend a few hundred in lessons and rental time but at least I’d get things done faster, even when including the long drive.

Ron was so interested after my first visit, I bought him along for my second visit and HE took the beginner class. He did great! And of course he was hooked too, so we started looking around. Then we got word and bit our fingernails and measured rooms and cleared out space and waited for it to get packed up and mailed all the way across the country.

(Canada is HUGE.)

 

This is our 2004 APQS Millie on a 12 foot table.

It got here just after our wedding anniversary in 8 large boxes, including a roll of batting we had tossed in our order. We spent two days setting it up.

We spent a few hours taking it apart and then putting it back correctly too.

Finally we were able to do some test runs and load our very first quilts. Then we quilted non stop, I swear. The first week the machine ran every single day. Some days we did two quilts, taking turns getting used to it, figuring things out, practising on the huge stack of my own quilt tops I had standing by to get done “some day.”

Eventually I put on the first customer quilt that had waited so patiently. And that bed sized tshirt quilt was done in 5.5 hours. It was amazing.

I can and DO finish customer quilts so much faster now. I had seven piled up. Three are already out the door to customers and two more are getting mailed out this week. It’s only been three weeks at this point.

I keep shaking my head and wondering why it took so long for us to make the jump but I guess it all happened at just the right time.

Ron and I are both quilting and right now I am catching up on customer quilts that were in the backlog. By June we should be ready to take on more quilts and do some machine quilting so all the quilters we know can get those tops done!

How to Prepare Your Tshirts for Quilting

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Hey there quilt fans! T-shirt quilts are one of my most popular quilt requests.  If you’re interested in having a t-shirt quilt made, here are tips and advice for planning and preparing.

Size of Tshirt Quilt

What size quilt would you like?  You can refer to the chart on my t-shirt quilt page.  I do have amounts listed for the number of shirts, but this is a guideline. You can decide how much you’d like to spend and how big of a quilt you’d like.  (Don’t worry if you don’t think you have enough shirts, we can handle that).

This tshirt quilt is in the Queen size range and used 26 shirts.

Gather Your Shirts

Now, dig out your shirts! Go into the dresser, the closet, the bags at the back of the attic and that storage box in the garage. Dump ’em out on the bed or the floor.

Are you going for a theme? My page mentions WordPress quilts, but we can do any kind of t-shirts you want – concerts, sports teams, colleges and universities, any related hobbies or really anything at all. It’s YOUR choice.

Some shirts are special, and we get that. Many clients of mine have sent shirts with a note pinned on, and those ones we take extra care with. We usually place these in the middle of the quilt, where they are most visible.

Make Your Picks

Now count up those shirts! Are you within the range on the chart? Awesome! No worries there at all. If you’re shy a few shirts for the size you want, that’s not a problem either. What we will do is use some of the plain backs and add in extra blocks around the edges, where they won’t be seen as often. The added bonus is for these plain blocks we usually go a little crazy and do some extra special quilting designs that relate to the themes in the shirts.

On one quilt, I used a blank block to stitch in their twitter handle. On another, we had a small amount of shirts but a large size to build out, so we made a large border and quilted a feathered wreath around the whole thing!

If you have too many shirts, you can consider getting two quilts made, or some accessories like pillow covers or tote bags. We use as much of the shirts as we can so even logos on the back or sleeves are incorporated into the quilt itself.

Some people have mentioned to me they have shirts they still like wearing but would also love to see in their quilt. There are a couple of options here: you can contact the conference organizer to see if they have any spares, or you can check with me to see if I might have one on hand. Once people hear I make WordCamp t-shirt quilts, they donate shirts they do not want or have a use for. So I do have a few on hand for fillers.

Prep Your Shirts

With your shirts all picked out, give them a look over. Are there holes or rips? Any paint stains? As long as any damage is not in the logo areas or around the margins of the logos, we can still use it. While we do some incredible work, we cannot remove paint or stains from the logos themselves. Some things cannot be hidden with stitching. Small holes we can reinforce.  Make sure all shirts are clean. If you do need to wash them first, skip the fabric softener.

Ship ‘Em Out

This is the hard part for me – find a box to ship them in. You can really pack those shirts in tight and they don’t have to be folded neatly. Stuff ’em in real good! They will weigh the same but if you can squeeze things into a slightly smaller box you can save a bit on shipping. It might be tempting to save on weight, but we ask that you do not cut the shirts up. You can leave that to us.

Shipping to Canada

I’m located in beautiful northeastern Canada and receive many shipment from US clients.  If at all possible, please ship internationally via United States Postal Service.

Do not ship by UPS or FedEx. While  faster by a day or two, these services create complications with import fees, duties, and taxes. They will ask for a value of what is in the box. $100 coverage is fine – you are not listing a value of the finished quilt, only the shirts in the box. Anything more than that, we get charged fees and we will charge them back to you. Do not use the commercial form – that is for me buying shirts from you, which is not what we’re doing.

So wrap up that box, mail it off to the address you get when you submit the form, send your payment and I’ll get an email knowing your shirts are on the way!

I know it sounds cheesy, but I do get excited to see people’s t-shirt collections. Every box that has been sent to me has a unique collection of shirts, and even when I see some shirts I’ve seen before, I love coming up with new ways of stitching the same WordPress shirts for a new client.

Quilting schedule for the new year

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Someone asked on twitter recently, so I figured I’d better write out how my schedule works, what’s in the queue and how far out I can schedule new quilts to be made.

I like to leave myself lots of time, since I only quilt on my weekends and a couple nights through the week. The rest of my weeknights are for things like errands, visiting grandchildren and spending time with the husband or my teenage daughter (the last one left at home). Also sleeping.

Right now I say I am booked till March 2017, which means I have enough to keep me busy until then and any new quilts started now will not be finished until then.

Want a tshirt quilt? We’re looking at a March finish.
Want a custom quilt? Yep, March.

Right now I am slightly ahead of schedule, but I still have a list that needs doing. These are all customer quilts somewhere in the completion pipeline.

Harley quilt
Night Sky quilt
tshirt bag
improv baby quilt

+plus two more in preliminary early stages

Fear not, though – at least two of these are near completion or will finish up soon. Most of these will be out the door by the end of January.

So you can start the new year by counting up your tshirts to make a tshirt quilt and get on my list, or finally think about having a custom quilt made to your specifications.

Some custom quilts can take a good six months or so to sort out details, choose fabrics, gather supplies and then there’s the design time…

Any other quilts you see in progress on my various social media accounts are ones that are in my personal backlog and I’m finishing up “just because.” I work on these as creative exercises and a break between client quilts. Most of them will be offered for sale. If you are interested in one you’ve seen – just ask!

As always, any quilt you’ve seen that I’ve made previously that was sold or gifted can also be made just for you. The pricing on the tshirt quilt page is a good place to start – custom quilts are more, depending.

Because I can’t not quilt

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Last night I was at yet another guild meeting, being in two guilds and it being the holiday season, and we were once again talking about all things quilting.

It is slowly dawning on me that maybe other people who enjoy the same hobby as I do haven’t been doing it as long as I assumed and maybe don’t even partake as often. Challenging my own assumptions here as I too insist I am not the fuddy duddy old grandmother traditional muddy fabric quilter.

Talking to other ladies who do not have dedicated sewing rooms and who do not sew almost every day but maybe get a couple hours in once a week, if they’re lucky.

Talking to other ladies who make maybe six quilts a year, slowly and with a purpose – for  a son’s wedding, a new baby, an older child off to college. A reason, a means to an end.

How do you do it, they ask, and I see half the question in their eye of “why?” as well. “You’re so… driven,” they remark. I make light sometimes, saying I don’t really clean my house, who likes cleaning right? I’d rather sew.

Sometimes, if I think we have time, I tell them a small story.

Do you know any writers, I ask? I work with some writers, I know some writers and a musician. The thing is, they have to write. The words, the music, it is there – in them – and it has to come out. There’s no reason, no reasoning,  it just is. The music wants to come to life, the story needs to be written.

That’s how I quilt, that’s how I sew. I have to.

In every house we’ve lived in, no matter the state of renovation. In any stage of life – babies underfoot, teenagers borrowing the machine, no room dedicated and yet there I was, sewing in a corner because I had to.

I look at a scrap of fabric and get ideas. I see the garment, I see the quilt block.

I look at quilt tops unfinished, and see the quilting.

I close my eyes and there it is – yet another design. I try and record it somewhere, a scrap of paper, notebook, sticky notes at the side of the bed on the nightstand full of half asleep scrawls and rustic sketches I look at sideways with awake eyes.

I moved my work desk and laptop to our sewing room / future office, to make room for the Christmas tree. Only temporary for the holidays, I said. The busy holidays where less sewing happens. But I’m here, surrounded by piles of fabric in various stages of design and completion.

It’s been four days since I’ve sewn anything. I’m feeling the pull.

Four days, and I tell myself if I just swing my chair across the room and sew for ten minutes on a work break, I’l be fiiiine and hope I don’t forget I have a day job.

Because I can’t not quilt.

I moved!

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Well, I didn’t move my blog, I just moved my whole house, over a month ago. We’re still getting settled.

I think I lasted two whole weeks before I set my machine up a corner to sew something, anything, just because I needed to.
After a couple of location changes, I took over half of what will be our home office. The other half is the husband’s tools and things he needs to finish working on some parts of the house.

Did I mention the renovations? No? The house we bought is an old house, but with a new addition. The previous owners bought the place, started renos and ran out of money, then had to sell. Their loss, our gain I guess. All the hard and expensive stuff had been done, as far as we were concerned. We still had electrical and plumbing to finish, and there’s no trim anywhere, but we finally got enough done to move in.

Best part? I *WILL* have a dedicated sewing room some day, in the new basement. It is currently unfinished, just concrete. We even had to build the stairs to get down to it. so it will be a while before that is done, but it will be done to my specifications.

For now, I do have the most incredible view. That helps.

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The Ultimate Guide to Machine Quilting

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Recently I received a copy of the Ultimate Guide to Machine Quilting for review. I’m not sure if you noticed but I really like to machine quilt! That is my favourite part of quilting . So not only was I super excited to have a chance to read this book, it was written by two of my favourite quilting authors.

I have known Angela Walters online for what seems like a long time. I first met her when helping her out with her blog way back in the early days before she even had any books. I soon became a fan. I now own most of the books she has written. Christa Watson came on my radar in the last year or so, but I quickly became a fan of her style as well.

Both ladies are wonderfully engaging and friendly. This comes across very well in their book. I love how they both tackle the same quilt top in different ways. I always wonder when I see a longarm quilt design how I might adapt it to domestic machine quilting, and this book can help with that. I really enjoyed reading their thought processes on why they both chose to quilt certain designs in certain areas.

There is an extensive section at the front of the book about tools and rulers, plus how and why to use them. There is also a section on the advantages of quilting on either a long arm or a domestic machine. I really appreciated this section, since I have been thinking about a long arm purchase in the future.

While this book does have quilt patterns, they are light on directions (two pages each quilt) for piecing and assume you have a knowledge of the basics. That was fine with me, because I need to get down to the quilting part! They go over how to do any markings needed and where they started on each particular quilt.

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They even include a design for a wholecloth quilt. I was excited to see this, as a wholecloth quilt is on my bucket list. I will probably do this project from the book first, and combine techniques from both quilters to make it my own.

I would probably not recommend this book for a real beginner, only if you had some fmq under your belt and were very confident. I would recommend this for anyone who has been machine quilting and is bored with the same old thing. If you are wondering how to get those drool worthy designs on your quilt that you see everywhere online this book will help get you started.

I was provided an e-book copy of this book entirely free for the purposes of review. I like this book enough that I’m going to buy the print version so I can reference it more easily.

A king size tshirt quilt for Chris

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I’m still working my way though final posts about quilts I’ve made over the past couple years. This quilt I finished last year. It is still talked about!

Chris Lema contacted me about my t-shirt quilts and asked a hard question. He only had 14 shirts. Could he get a king size? The shirts were XL to XXL and all from the same WordPress hosting company.

Could I even get a king size quilt top from only 14 shirts? I did some quick calculations, gulped, and said “Sure!”

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Such a tiny box on arrival, compared to some.

This would be one of the first t-shirt quilts where I used some of the plain leftover pieces from the backs and sides and sleeves to help make up the fabric needed to bring the quilt up to size. Since I made this quilt, I’ve done this on almost every one.

As I went through the shirts, I made sure to cut the largest pieces possible from each one – including blank blocks. There were not a whole lot of scraps left.

Then it came time to arrange the blocks like a puzzle for the final layout. In quilting, we are often told for blocks you don’t like or ones you wish to de-emphasize, put them around the edges.  In this case, I clustered the printed shirts in the middle for best display and made sure the blank blocks were along the edges. The plan was to treat the blank blocks as a single area of negative space and fill it with the same quilting.

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Once I had that sorted, in my head and on the floor,  I checked in with Chris about design options. He said the scariest thing I think I might have ever heard.

“Do what you like, I trust you.”

Big gulp. o.O For anyone who has clients of any kind, this can be simultaneously the best and worst thing ever. Yay! We get full control and free reign!  And then… what if they don’t like it? What if this is not what they imagined?

After I talked myself down off the ledge, I realized he would not have entrusted me to make him a quilt if he didn’t 100% love my work. So with that in mind, I strove to make it as excellent as I knew how. Knowing Chris though my regular day job, he strives for excellence in all things and has high standards. Not 100% perfection, but excellence.

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With that in mind, as I worked on the quilt top I thought about the quilt back. The shirt were all from WPEngine, which has a distinctive blue as their main branding color. The first problem was the printing process on the shirts were all different so the blues are all slightly different.  Then I had an idea – I would get the official color right from their website!

Sometimes being a computer nerd is pretty handy.

Then I used a site to convert hex color codes to the matching fabric from various brands. Voila!  I ordered ten yards of Kona cotton in Breakers, because it is indeed the best out there. (sorry, could not find the site again 🙁  )

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When the top was all sewn together, I had to move furniture to lay it out.

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And the basting went on forEVER! This was only the second King size quilt I had made.

 

 

 

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Finally, we get to the fun part – the quilting! Again, for each shirt I picked a design to complement the shirt itself. This often requires more thinking and staring than actual quilt time.

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Sometimes if I get stuck, I’ll do graffiti quilting – little bit of everything in there.

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I did choose to use matching blue thread for the quilting, so it would match the back but highlight the stitching on the front. All the shirts were black, grey or white. The blue was a unifier.

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When I got to the larger blocks, all I did was draw with chalk the spine of the feathers so they swooped and swirled around the outside of the quilt, framing the inner blocks. The bumpy bits are all freehand.

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Near the middle top, I had a spot that dipped down a bit, so I filled it with this medallion. Fun fact: to place this section in my machine for stitching, I had to quilt it upside down and sideways.

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Here’s another feather swooping around the corner.

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The back view really highlights all the various stitching.

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In the end, I had maybe barely half a yard of blue fabric left, half a spool out of four spools of thread, and the box of pins were all the ones used for basting.

I used the same fabric for binding the quilt edges, as a nice frame. I even added a sleeve at the top so they had the option to hang  the quilt on a rod if they chose to display it.

On a sunny day, right after washing and drying and careful inspection for any hanging threads or missed spots, I hung it on my clothesline for some final shots to send to Chris before mailing.

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So big!

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Chris LOVES his quilt so much! I still see it mentioned on twitter, so I figured I’d finally do the long awaited write up.

As my own worst critic, I’m still pretty happy with how this quilt turned out.

Time spent:
– box arrived in February
– fabric ordered in February
– cut & pieced in March
– quilted in April / May over weekends. I did not count all the hours but there was a good 16 hrs of just quilting.
– shipped and received in mid to late May
– smiles: forever

Machine issues

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So, somewhat of an unexpected hiatus on the sewing and quilting front, and the blogging thereof.

A couple weeks ago,  I started quilting on a long-waiting quilt top and suddenly it stopped forming stitches, like the bobbin was empty. Except it wasn’t.

Which meant, horror of sewing horrors, the timing was off. In short, something expensive. WELL, the hubby and I are go-getters, so we took a large chunk of the day to watch some videos and strip down the machine.

Yes, it was scary. But then we got it working! A stitch would form when we manually turned the wheel. I got it all back together & the hubby went off to do errands. I turned it on, it was fine. I went to sew and… nothing.

Then I couldn’t get the cover back off completely until the hubby came back. Turns out we forgot to reconnect the motor. And THEN it worked again. So many facepalms.

We are getting ready to move into our new (old & renovated) house so not a lot of sewing has been done. Packing and lugging boxes and cleaning, yes, but not much quilting.

I finally got back to the quilt giving me issues, and it seemed like I continued to have them, even though stitches were forming fine. Hubby suggested I go slower than usual, so that was a bit of an adjustment, and it felt like the quilt was hard to maneuver – even though it was only lap size.  I’m sure there’s a metaphor in there somewhere.

At any rate – I did finish the quilt in question, though near the end I thought to myself, “I’ll just put it back to full speed and floor it like I usually do.”

And it happened again. This time it  only took an hour to fix – having done it before – and at 3/4 speed I finished the rest that day.

I’ve since worked on another quilt needing quilting, and so far it’s been fine. I’m not sure I want to test it on high speed again though. I’ve also been extra careful about oiling it regularly (it has a light) and cleaning it way more often and not sewing over pins. So  I don’t know if it’s me pulling something when quilting, or something is slipping when it runs at full speed. It’s a really good, really expensive machine that doesn’t have these issue, so… I dunno.