A king size tshirt quilt for Chris

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I’m still working my way though final posts about quilts I’ve made over the past couple years. This quilt I finished last year. It is still talked about!

Chris Lema contacted me about my t-shirt quilts and asked a hard question. He only had 14 shirts. Could he get a king size? The shirts were XL to XXL and all from the same WordPress hosting company.

Could I even get a king size quilt top from only 14 shirts? I did some quick calculations, gulped, and said “Sure!”

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Such a tiny box on arrival, compared to some.

This would be one of the first t-shirt quilts where I used some of the plain leftover pieces from the backs and sides and sleeves to help make up the fabric needed to bring the quilt up to size. Since I made this quilt, I’ve done this on almost every one.

As I went through the shirts, I made sure to cut the largest pieces possible from each one – including blank blocks. There were not a whole lot of scraps left.

Then it came time to arrange the blocks like a puzzle for the final layout. In quilting, we are often told for blocks you don’t like or ones you wish to de-emphasize, put them around the edges.  In this case, I clustered the printed shirts in the middle for best display and made sure the blank blocks were along the edges. The plan was to treat the blank blocks as a single area of negative space and fill it with the same quilting.

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Once I had that sorted, in my head and on the floor,  I checked in with Chris about design options. He said the scariest thing I think I might have ever heard.

“Do what you like, I trust you.”

Big gulp. o.O For anyone who has clients of any kind, this can be simultaneously the best and worst thing ever. Yay! We get full control and free reign!  And then… what if they don’t like it? What if this is not what they imagined?

After I talked myself down off the ledge, I realized he would not have entrusted me to make him a quilt if he didn’t 100% love my work. So with that in mind, I strove to make it as excellent as I knew how. Knowing Chris though my regular day job, he strives for excellence in all things and has high standards. Not 100% perfection, but excellence.

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With that in mind, as I worked on the quilt top I thought about the quilt back. The shirt were all from WPEngine, which has a distinctive blue as their main branding color. The first problem was the printing process on the shirts were all different so the blues are all slightly different.  Then I had an idea – I would get the official color right from their website!

Sometimes being a computer nerd is pretty handy.

Then I used a site to convert hex color codes to the matching fabric from various brands. Voila!  I ordered ten yards of Kona cotton in Breakers, because it is indeed the best out there. (sorry, could not find the site again 🙁  )

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When the top was all sewn together, I had to move furniture to lay it out.

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And the basting went on forEVER! This was only the second King size quilt I had made.

 

 

 

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Finally, we get to the fun part – the quilting! Again, for each shirt I picked a design to complement the shirt itself. This often requires more thinking and staring than actual quilt time.

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Sometimes if I get stuck, I’ll do graffiti quilting – little bit of everything in there.

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I did choose to use matching blue thread for the quilting, so it would match the back but highlight the stitching on the front. All the shirts were black, grey or white. The blue was a unifier.

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When I got to the larger blocks, all I did was draw with chalk the spine of the feathers so they swooped and swirled around the outside of the quilt, framing the inner blocks. The bumpy bits are all freehand.

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Near the middle top, I had a spot that dipped down a bit, so I filled it with this medallion. Fun fact: to place this section in my machine for stitching, I had to quilt it upside down and sideways.

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Here’s another feather swooping around the corner.

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The back view really highlights all the various stitching.

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In the end, I had maybe barely half a yard of blue fabric left, half a spool out of four spools of thread, and the box of pins were all the ones used for basting.

I used the same fabric for binding the quilt edges, as a nice frame. I even added a sleeve at the top so they had the option to hang  the quilt on a rod if they chose to display it.

On a sunny day, right after washing and drying and careful inspection for any hanging threads or missed spots, I hung it on my clothesline for some final shots to send to Chris before mailing.

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So big!

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Chris LOVES his quilt so much! I still see it mentioned on twitter, so I figured I’d finally do the long awaited write up.

As my own worst critic, I’m still pretty happy with how this quilt turned out.

Time spent:
– box arrived in February
– fabric ordered in February
– cut & pieced in March
– quilted in April / May over weekends. I did not count all the hours but there was a good 16 hrs of just quilting.
– shipped and received in mid to late May
– smiles: forever

Butterfly quilt

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I took on a quilting job that was not for my mom. One of my remote co-workers had seen pictures of my quilts and loved them. She was working on a baby quilt of her own and was not happy with the quilting she had started.

So, she asked if I would quilt it for her – for PAY even!

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This is how the quilt arrived – basted and some preliminary lines done. She said she wasn’t sure she liked what she had already done, so if I had other ideas, it was totally okay to take them out if I wanted.

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So I did. Honestly, this was the bulk of the work.

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I pressed the top and the backing quite throughly and basted it again to new batting, replacing the 100% poly with a 50/50 blend.

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And boy howdy did I have ideas! I thought it would be best to have Mctavishing in the white blocks, and a feathery design on the pink triangles.

I settled on a heart & feather combo. I did use a template for this and stitched over tracing paper to have a design to follow.

I did also stitch in the ditch on the seam lines, but only the pink ones – not inner ones on white blocks. These were mostly diagonal and just to divide the quilt into sections for quilting.

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Back view – you can see I just went around the butterflies and left them unquilted.

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The finished quilt! I machine bound it with strips cut off the backing when I trimmed it after quilting.

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Here’s a close up of the crinkly goodness after I washed and dried it. I always do this for quilts I know that will be used.

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Overall back view.

When Corinne received her quilt back in the mail she was SO HAPPY.

Neutral Feathers

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I can’t believe I haven’t written about this quilt yet.

I started it WAY back in September 2010, when I decided I had enough neutral fabrics that I could make this pattern. (Pattern available for free here.)

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By end of October 2010 the top was pieced, but it wasn’t until last September that I finally got it basted. (and finally writing a blog post a year later but we’ll skip that part, right?)

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The back was a large piece Mom picked up at a thrift store. Pretty sure it was a duvet cover in a former life, but it matched well enough.

And then it sat for a bit because I had big ideas to quilt it, but I wasn’t sure if I could pull it off. It was scary! I wanted feathers but at the time I wasn’t sure if I was “good enough” to quilt them the way I saw them in my head.

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So I fretted. And I sketched. And I practised on paper.

And then I finally took a deep breath, marked the spines where I wanted and just WENT FOR IT.

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The border was the biggest challenge so aside from a few wobbles I think I did pretty well.

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The square blocks I actually used a stencil, because it really did help me with the curves. The curvy bits on feathers are the hardest for me, so of course I have to toss more in.

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I decided to leave the sashing un-quilted, partly because it is so skinny, and partly for emphasis.

This quilt is also listed in my Etsy shop. I’m really happy with how it turned out because it’s one of the first ones that I think I stretched my skills and rose to match what I saw in my head.

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Still with the feathers

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I am almost done Kaytlyn’s quilt. At least the quilting part. I ran out of yellow thread *again*. That’s two spools if you are counting, plus a spool each of pink, purple and orange that still have lots left, but I need the yellow for the back. This quilt is using a LOT of thread.

I read another tutorial from Diane Gaudynski, and I swear this is the one I was looking for before, but someone forgot I read it. This time I clicked. Diane Gaudynski “Echo Feather Plume”

Here’s what I did the other day.

This was the third block I did, nice and relaxed and happy with the results. I’m not quite done the quilting because as I said above, I ran out of thread! And my local quilt shop is moving so it has been closed for a few days.

Here’s a nice shot showing how the quilt will look when done.

I need to find where I put the rest of the hot pink fabric so I can use it for the binding. One more row of feathers to go and two more of loops.

And just so Kaytlyn is not the only person I am tormenting with quilting previews, I did some work on a wall hanging for my mom. Mom has picked out a panel to hang in her stairwell, and since I am now her quilter, this is my first project and she said to do whatever I liked.

If you think that looks good, wait till you see the front. 😉 Some days I wish I had the whole day to quilt. So far, I have to keep stopping for one reason or another.

More quilting progress and how to get out of a boo boo

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So I’ve worked on Kaytlyn’s quilt a few more times, after I unpicked the last screw up and worked on something else instead. Here’s what that same block looks like now, all done properly.

I went swimmingly, until I flipped the quilt over and realized I made yet another boo boo. But this one was more recoverable and did not involved taking out stitches. It turns out if you are near the edge and don’t pay attention to the backing fabric, you get this:

It flips over and you wind up quilting it. Uh-oh. But then you just find your tiny scissors, turns on some bright lights, get comfy and snip the fabric off from around the stitching. Like this:

Any of those stray threads will wash right out. I always try and wash my quilts before I send them off. This way I know they will hold up for the user and if anything comes undone (it happens) then I have a chance to fix it.

I also figured out how to quilts the skinny blocks and thanks to some advice from Angela Walters, decided *not* to quilt the hot pink sashing. It looks SO much better leaving it unquilted. It really does help frame the blocks, don’t you think?

Here’s the back, where you can see the effect really well.

In the skinnier blocks I decided to do a loop-de-loo, or a bunch of Laverne L’s. Sometimes when doing these bits I hummed the Laverne and Shirley theme song because I am a dork like that.

Two more big rows to go! I have to draw out the feathers on these ones, since I’m doing them all in the same direction and they are basically upside down because of the way I have to feed it through my machine.